Much like the reproductions of Song landscapes Roy Lichtenstein consulted, the Landscapes in the Chinese Style project the illusion of a transcendent realm. The vastness of nature in both Song works and his renditions is heightened by the inclusion of tiny details such as a lone tree, boat, or philosopher in repose. Lichtenstein’s virtuosity is especially impressive, as he used a technical. approach radically different from traditional Chinese brushwork. This was a consequence of both dot size—Treetops through the Fog (1996), for example, utilizes at least 15 different sizes—and the complex spacing, which accounts for the extraordinary suggestion of atmosphere.
The Chinese landscapes, the last series Lichtenstein completed before his death in 1997, were included in the retrospective at the Art Institute of Chicago in 2012.