“I am an artist of paint, making discoveries”

In 1950, Helen Frankenthaler (American, 1928 – 2011), fresh out of Bennington College, was thrown by Clement Greenberg into the virile, competitive maelstrom of Abstract Expressionism in its prime years. Not only did the 25-year old show she could hold her own ground, within two years, she produced a breakthrough work, Mountains and Sea,that was held to be the first substantial picture in a style that grew out of the New York School, but broke new ground as well.

Although she had moved the debate forward, Frankenthaler was nevertheless constantly characterized in subordinate or retrospective terms. She was the designated “heir” to Jackson Pollock’s dripped and poured legacy and she was charged with maintaining the abstraction revolution, the irony of which, one imagines, was not lost on the young artist.


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